Thursday, 25 July 2013

Who am I, Who are they? - Study task 5

Graphic design is within the tertiary sector, the service industry and I feel in terms of client groups - most of the client groups also belong in the service industry within the private and public sectors. Some of these client groups that commonly use graphic design are:

List of client groups within graphic design:
  1. Retail
  2. Publishing
  3. music industry
  4. fashion industry
  5. food industry
  6. web design
  7. education
  8. Sport
  9. animation
  10. film industry
  11. theatres
  12. personal buyers
  13. retail packaging
  14. Brand and identity
  15. advertising
  16. tourism
  17. digital medias
  18. radio
  19. television
  20. government
  21. Charities
Retail-

A client group I feel best suits me and my creative ambitions is mainly within the retail client sector. However this is only something that I have recently sat down and thought over, nothing at this stage is definite in my life.  It is hard to pin down one client group at this stage in my practice as I'm interested in quite a lot of these areas and also haven't fully experienced working for such a client group professionally.

I think a skill that I need to develop for my work to be more successful in this area is audience consideration. When I'm designing I need to consider more the needs and opinions of the customer rather than what I personally like. This is a very important aspect to develop as ultimately it will determine the success of the design. Being able to attract the correct consumers to create interest around an item and have something desirable that they will want to buy. I would also like to learn more about the cost of products and how much it is to produce certain things, this also links with the audience and would they be willing to pay a higher price for a better quality item.

My professional and creative aims going forward link very strongly with the skills I want to develop, relating to gaining knowledge on how to appeal to different audiences. This also goes into the placements of products within a shop and where in context will the item be most successful. I would also like to cover a larger range of aspects regarding the retail sector, for example packaging, point of sale, promotion and the design of the product itself. I think by increasing this range will create a stronger body of work.

What skills / interests you have and how they relate to the needs of your client group?

Skills & Interests

The idea of something being simple and effective that has been printed to help inform people a swell as gratify them. I have a range of skills that I believe will help me relate to the client group that suits me best, such skills involve illustration, layouts, developmental skills & conceptual thinking. I believe these skills are needed as producing effective designs must incorporate such skills. This is important as you want to produce a relevant, original design that stands out to your target audience. I also believe that having such illustrative and editorial design skills is a key asset within my chosen client group as modern design is moving to more clean, precise designs that are not overly complicated. Having knowledge within print and how a publication would be printed will be very valuable as it will allow me to produce designs that will be correctly printed without costing excess money. A key skill that will allow me to produce most of my design would be working within softwares such as Illustrator and Indesign, as these are industry standard I would be expect to be and expert within these.

What skills are needed and what skills do you want to develop?

Many skills are needed within the client group I have selected, such as Time management skills which will be essential for organisation and managing various clients and jobs. In terms of the Retail industry this will mean that a large  amount of material will be needed as well as content. My time management skills at the moment are good however I think within  the industry they will be a lot more pressure and responsibility which will mean improving my skills and making sure I practice this throughout my practice currently.

Presentation skills and confidence is needed within industry, this is an essential skills that you will need to develop when talking to clients and presenting work effectively. if a presentation isn't understood or presented well the clients will not listen and most importantly will not remember you. First impressions are always good and this comes with confidence. My communication skills at present are not great, i have come quite far with this since the beginning of the course. However with little experience when communicating with professional clients and organising meetings etc i believe i will need to improve a lot more. This however is an area which would develop itself and has to, any experience obtained beforehand will be incredibly useful and create a better first impression.

Print skills and Proofing is another skill that I need more work in. I have knowledge within printing and various processes and techniques that are on offer to me. However I feel that the preparation and organisation of a printed document is something that I am lacking skills within. Working with print restrictions is a down fall and within the retail industry this is something that will be needed and a process that will be commonly used. This is something that I have learnt within the course however I haven't had much experience within actually going through the process of printing professionally and sending work off. Proofing documents is a major concern within my work, I have many mistakes within spelling and prununctionation, which within retail industry this could be a concern and make me look unprofessional. 

What are your professional/creative aims and how do they relate to the needs of the client group?

My professional and creative aims are to develop a professional portfolio which explores the work within the areas of graphic design that I see myself working with in the future. Within the areas of graphic design such as editorial, publishing and promotion, I aim to  experiment with more hands on approaches and innovative and inventive formats and installations. I also want to experiment with unique layouts and develop my own style through doing this using variety of different grids and scales within my designs. I aim to improve with my illustration skills as this is something I really enjoy and think would allow me to create more personal and profession designs in the industry. I want to keep pushing the boundaries within the briefs I receive and extend the brief producing work that the clients do not expect. This will make sure the clients know you are engaging with the brief and going that step further.


I feel that the client group will look for professional and innovative designs that will stand out from what is already existing. Fresh new ideas is what alot of design agencies are looking for. I also want to develop my skills within a range of processes and mediums such as print and web. Creating unique and inventive design solutions which challenge the format and the topic is something i aim to develop professionally.


The main thing I need to do is develop my concepts... trends are temporary and originality is key.

Investigation into the four P's

  • Key principles to understand within marketing 
  • Marketing- understand a range of factors that satisfy trends and requirements driven by success
  • What is a market?
    "The management process is responsible for identifying, anticipating and satisfying customers requirements, opportunities, profitably and success"
    Chartered Institute of Marketing 2010 
  • Based on predicting the market
Marketing Roles

1. Identify customer needs to develop new products
2. Develop pricing strategies
3. Promote products to a target market
4. Identify distribution networks
5. Add value to your product through customer benefits
6. Monitor the performance of the products

The 4 P's
The 4p's- basics of any marketing- produce, price, promotion and place 
  • Product
  • Price
  • Promotion
  • Place 
  • Product- A product is seen as a item that satisfies what a consumer needs and wants. It is a tangible good or an intangible service.  
  • Pricing- the price is the amount a customer pays for the product or the overall cost of a product
  • Overall cost could be impact on environment, social and political 
  • Promotion- represents all of the methods of communication that a marketer may use to provide information to different parties about the product 
  • Place- refers to providing the product at a place or in context 
  • Underpins everything in relation to marketing
  • Relationship between what is needed for success
  • Collaboration- successful practice 
  • Comes with a better understanding of the market
  • Relationship between studios and freelancing 
  • Nearly 70% of professionals operate at a loss or under 5K a year even if the work is busy 
    Facts/Percentages
  • 87% of design businesses employ less then 10 people
  • 16% of design companies are in North England
  • 57% of design companies say they collaborate with other companies or practitioners on clients briefs
  • 28% of designers are free-lance 
Income patterns in the visual arts



These diagrams and visually informative and reveal the findings of the ways in which artists spend their creative time and also shows their income levels. This may be quite depressing and shocking to use as graphic designers but this also allows us to see and understand the different sectors and the limitations they have in there careers.

  • What is a creative entrepreneur?



  • Only 16% of adults in Brazil are entrepreneurs. 
  • Only 6% of the people in India are entrepreneurs
  • United Kingdom the figure is only 5%.
  • Need an understanding of all aspects to be successful 
  • Knowing you can offer specialism to the market 
  • Different ways an entrepreneur can work 
  • Comes with experience 
  • 5% entrepreneurs in the UK 
What kind of creative are you?
  • Thinking about the person I am and the individual skills I have- how can this be applied/developed for the market 



  • Evolutionary/revolutionary
  • Manager/opportunist 
  • Cautious/risk taker 
  • Where do you sit in this?
  • Ideas and opportunities
“Great minds discuss ideas. 
Average minds discuss events. 
Small minds discuss people” 
Eleanor Roosevelt 

  • understand and control both for success 
  • Great minds discuss ideas 
  • Must develop this for successful practice/career 
  • Ideas can happen anywhere or at anytime 
  • How you act upon these 
  • Enthusiastic to push ideas forward- perseverance and work to push them 
  • Success comes from ideas failing 
  • Opportunity- need to recognise them- come from right situation- grab it 
What is an 'Idea'?
  • Can occur at anytime 
  • Can occur to anybody 
  • Can happen anywhere 
  • Can be inspired by anything 
  • Is generally random 
  • Seldom materialises 
  • Rarely succeeds
“In the realm of ideas everything
depends on enthusiasm…
in the real world all rests
on perseverance”
 
J.W. Von Goethe


What is an Opportunity?
  • The People are Right 
  • The Place is Right 
  • The conditions are Right 
  • The Time is Right
  • Right place, Right time.
  • PEST analysis- political, economic, society, technology 
  • Positives and negatives
  • All need to be considered and recognised 
  • Design strategy 
Where do opportunities come from?
  • Trends 
  • Technical developments 
  • Political change 
  • Economic boom and slump 
  • Human need 
  • Problems 
  • Research
Assessing the competition
  • Think about competitors and your relation to this 
  • Assessing the competition 
  • who are they?
  • What are their strengths and weaknesses?
  •  what haven't they thought of? 
  • what worries them? 
  • what can I improve on or avoid?
Strengths:
What are they good at?
Why are they good at it?

Weaknesses:
What are they bad at?
Why are they bad at it?

opportunities:
What don't they do?
Why don't they do it?

Threats:
What could go wrong?
Why could they fail?
  • SWOT analysis- strengths, weaknesses, opportunities, threats 
  • This analysis can also be applied to yourself. Somthign that can look at within any company, service or sector. 
  • Competition can become collaboration 
  • Internal environment 
  • Micro environment 
  • Macro environment 
  • Assess quality of opportunity 
  • For me- for the customer- for the planet- for other stakeholders 
  • Relationship between is needed and to be in balance with one another 
  • Works in a circle/cycle with the meaning of marketing and its roles first looked at
  • Marketing basics: PEST,SWOT, 4P'S

Wednesday, 24 July 2013

Samples of Work - Study task 7 / Part 1 & 2

Part 1 - Identify document and evaluate a minimum of 10 examples of professional designer's and/or design studios who have used a range of media and formats to distribute samples of their work. You should aim to select a range of examples using a rage of media.

Elmwood






Ranges of media used; Twitter, Linkedin, Facebook, Blog, Company Website. In a technological age, the company has taken advantage of the modern culture and used digital networking to broadcast their presence.

Facebook allows a larger range of people to see imagery and status about the company. They also have the ability to like and comment on pieces of work that the studio has created.

SWOT/ 

STRENGTHS/ 

Variety of platforms promoting their work. Accessible, consistent identity. Large client groups, well respected. Professional design and communication methods, strong brand vision. Reputable, Award winning, International designers.

WEAKNESSES/


None of their work is visible across their networking platforms, these appear to act as simple promotions for the company and keeping their agency within the public eye. They don't seem to delve much into web design.

OPPORTUNITIES/

Representing themselves across a wide range of platforms allows them to target large audiences that may not get the coverage any other way, bringing in new custom. The use of modern technology and keeping up with trends also lends itself. Their reputation gains them respected jobs and larger payments due to their known experience and large design team.


THREATS/

Reputation means the company will be charging more money for their work, based on the fact that they're known for high quality outcomes, meaning they could be limiting their target audience to higher end businesses, whereas smaller businesses might approach smaller studios. 

................................................................................................
................................................................................................



Bostock & Pollitt

An independent creative agency with more than 20 years experience, they work closely with clients to understand their ambitions and define their direction - creating communication that achieves results.

SWOT/ 

STRENGTHS/ 

Friendly and approachable, Large client groups, small studio = successful. Clear and concise website. Work across various disciplines. Ambitious ideas. Work across various sectors. Personal communication methods.

WEAKNESSES/

Based only in London limits their clientele options, and approaches to bigger projects. Public recognition might be quite limited. Smaller company going up against bigger more reputable companies such as Elmwood.

OPPORTUNITIES/

Opportunities to treat clientele with respect and form personal relations, building up their reputations and thus forming close relationships with their clients and future work as oppose to bigger firms which look at each job...as simply a job because there main concern would be keeping on top of all their projects effectively. Whereas a smaller studio like this has the potential to form relations.

THREATS/

Larger companies taking clientele and pushing smaller studios out of the market, such pressures could result in studios outputting work in competition rather than business.

................................................................................................
................................................................................................



The Consult


SWOT/ 

STRENGTHS/ 

Easily accessible information, existing clients can view a portfolio of work. Works published across different platforms including behance.


WEAKNESSES/

There isn't much other information really available about them, meaning you don't have the broad scope of review that other design studios possess, This means you'd have to make a judgement about the studio based on how they've presented themselves.

OPPORTUNITIES/

Online portfolios provide different types of audiences with the information they need, which could result in further clients and even collaborations.


THREATS/

Being a small studio could mean they've got a lot of competition in terms of other small design studio's all trying to work up the ladder.


................................................................................................
................................................................................................





Brass

SWOT/ 

STRENGTHS/ 

Work samples across a vast amount of platforms including social sites like twitter. Documented work professionally across all. There's a large amount of information available about this design studio which would obviously draw in clients that are quite sceptic about who to work with.

WEAKNESSES/

More focus on printed material rather than a broad focus.

OPPORTUNITIES/

Opportunities for expansion due to their wide range of online platforms publicising themselves.

THREATS/

Their focus of printed material could possibly limit their clientele and type of work they could be producing in the future.

................................................................................................



Analogue


SWOT/ 

STRENGTHS/ 

Practical work ethics, Personality really shows through their type of work

WEAKNESSES/

Could do with a larger variety of promotional material

OPPORTUNITIES/

Potential to be recognised for their personality in design, could be a unique selling point?

THREATS/

None so obvious

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................................................................................................



Liquorice

SWOT/ 

STRENGTHS/ 

Good quality images of all work samples across a vast amount of platforms. Documented professionally. The networking side is quite prominent across behance and twitter. They've come up with a very unique way of strengthening relationships with clients by sending out work that is based around special occasions.

WEAKNESSES/

Strong focus on print.


OPPORTUNITIES/

Could adopt a more personal approach across the way their website is portrayed etc

THREATS/

Work standard is quite similar to a lot of other studios already out there.

................................................................................................
................................................................................................




I love dust

SWOT/ 

STRENGTHS/ 


Practical pieces and a large range of work displayed across different mediums makes them stand out a lot more against the prominent print based studios. Strong promotional materials.

WEAKNESSES/

Visual style only really shown on a creative CV rather than through the work.

OPPORTUNITIES/

Creative CV provides something different while still being creative, able to be easily mailed out.


THREATS/

Their aim to be different could become a target for opposing studios, they could take this USP and develop it further.

................................................................................................
................................................................................................



Bell Pottinger


SWOT/ 

STRENGTHS/ 

Professional documentation, business card provides an insight into the style of Bell, uses the same colours across platforms.

WEAKNESSES/

Stronger focus on printed material

OPPORTUNITIES/

Potential for a blog, this would apply a more personal approach to his visuals.

THREATS/

The colour scheme is a love or hate thing, for myself I don't like it, which has instantly put me off his work, this could be a valuable point for myself when it comes to designing my own promotional material, keep it simple.

Tuesday, 23 July 2013

The Business of Design

UK Economy
  • 7th largest in the world
  • 3rd largest in the world
  • One of the most globalised coutries
  • London is the largest financial center equal with New York
  • Largest industries - aerospace, pharmaceuticals, North Sea oil and Gas
What is an industry sector?
Primary:
Mining, forestry, grazing, fishing and gathering

Secondary Sector:
Manufacturing and taking the primary goods and processing them. Cars, chemical, aerospace, construction and brewery.

Tertiary Sector:
The tertiary sector of the economy is the service indstry.
Restaurants, healthcare, law, banking and transportation 

Quaternary Sector:
Consists of intellectual activities. Scientific, research, I.T, education, culture and government.

Why are industry sectors important?
Sectors are models so that we can analyse  the economy in depth as a whole. Any economy can be divided. 

Why do we need to be aware of the economic sectors? 
  • So we can be aware of relationships within sectors
  • So as individual in our industry we can identify gaps in the market or where there isn't. We can start to predict competition and understand current trends.
The Service Industries
Public Sector
Part of the Economy concerned with proving basic government state or publicly owned services.

These services are often of benefit to the whole of society rather then just the individual who uses them. for example the NHS.

Private Sector
Not a state controlled, and is run by individuals and companies for profit.

Offering services in a free market economy. 
 Third Sector
The part of the economy that includes voluntary or not-for-profit sectors or organisations.

"An intermediary space between business and government where private energy can be deployed for public good." - Jim Joseph

The presence of a large non-prifit sector is sometimes seen as an indicator of a healthy economy in local and national financial measurements. 

Service Industries
Creative industries
Education, health & social work
Fiancial and business sevices
Hotels and restaurants
Other social and personal services
Public admin and defence
Real eastate and renting
Tourism
Transports, storage and communication
Wholesale and retails trade

THE CREATIVE INDUSTRIES
Refers to a range of economic activities which are concerned with the generations or exploitation of knowledge and information. They may variously also be referred to as the cultural industries (especially in Europe) or the creative economy.

In general, creative industries are a set of service enterprises that engage in economic activities originating in individual skill, creativity, and talent for potential wealth creation.
  • Advertising
  • Architecture
  • Arts and antique markets
  • Crafts
  • Design (see also communication design)
  • Designer Fashion
  • Film, video and photography
  • Software, computer games and electronic publishing
  • Music and the visual and performing arts
  • Publishing
  • Television
"Design is a thread that connects ideas and discovery to people and markets" 
The Business of Design
The Design council 2005 
  • 185, 500 Designers are generating £11.6 billion in annual turnover.
  • 62% of designers are under 40
  • 31% (20, 436) of design business are based in London
  • 60% isn't!
  • 59% of design companies employ fewer than 5 people
  • Over 50% of UK design business work in communications, digital and multimedia design.
There are 3 main types of companies working in the creative industries
  • Design Studios/Consultancies
  • In-house design teams
  • Freelance designers
Disciplines in the creative industries
Communication design
Products and industrial design
Interior and exhibition desihn

Friday, 19 July 2013

What is a CV - Study task 8

Part 1 - Identify a minimum of 10 designer's, studios or practitioners that you intend to contact with a view to organising a range of studio visits.

Poke

Biscuit Building
10 red church street
London, e2 7dd
020 7749 5353
hello@pokelondon.com



Magpie Studio

Hope House
12A Perseverance Works
38 Kingsland Road
London e2 8dd
+44 (0)20 7729 3007
hello@magpie-studio.com


The Chase
Royalty House
72-74 Dean Street
London
w1d 3sg
T - 0207 297 0370
Enquiries; london.enquiries@thechase.co.uk
Placements; london.placements@thechase.co.uk

The Partners


General Enquiries
+44 207 608 0051
info@the-partners.com

Business enquiries
Matt Millington
+44 207 689 4616
mattm@the-partners.com

Media relations & PR
Meghan Hagerty
+44 207 689 4576
meghan@the-partners.com

Recruitment & Placements
Amy Baxter
info@the-partners.com
- See more at: http://www.the-partners.com/contact#sthash.puE8nFa0.dpuf

GBH

Chiswick Station House
Burlington Lane
London w4 3hb
+44(0)20 87 42 2277
studio@gregorybonnerhale.com

Imagination - global


IMAGINATION LONDON
25 STORE STREET
SOUTH CRESCENT
LONDON WC1E 7BL
UK
T +44 (0) 20 7323 3300


LBi UK

146 Brick Lane
London e1 6ru
Phone: +44 207 063 6465
enquiries@lbi.com

Glad

Suite 4, Harrison House
Hawthorn Terrace
Durham, DH1 4EL

T 0191 384 0983
hello@weareglad.com

Buddy

Eagle Yard Studios
Tudor Street
Exeter ex4 3br
hello@buddycreative.com
+44(0) 1392 274121

Turner Duckworth

Voysey House
Barlow Mow Passage
London w4 4ph
+44(0)20 8994 7190
Contact Moira Riddell
moira@turnerduckworth.co.uk


After a lot of enquiries trying to sort out work experience, it appeared that a large number of the bigger firms, were only interested in graduates. Although I've had no response from my main choice; POKE in London, I won't give up in contacting them again when my portfolio is placed together. I was fairly happy with the responses that I gained, they'd took the time to answer the questions I'd asked them and some even said get in touch when I graduate and they'd be happy to see me.

All in all it was a big learning curve, I could have the best portfolio in the course, but that wouldn't get my foot in the door. It's made me realise that gaining experience is about who you know. As others have proved. However, I managed to secure a work placement at an International firm, working with their designer in the marketing sector, with a company called DAMMS International. Although they're not a design studio, it will give me an opportunity to see how a large industrial business operates especially in a design sense.

PART TWO

Once again, in the process of decreasing my pdf so it was suitable for Issuu, the file again distorted the components of my logo, making the joins look irregular. In my original files this is not the case.

Over Summer I'll be altering and developing my self branding until I feel it conveys my true ambitions as a designer and doesn't take too much emphasis away from the work I'm producing. My final creative CV should be a lot better than the one below but I felt as a starting point to develop this was sufficient enough. I still have experience to convey on this CV, and because I haven't really had any yet worth mentioning, I've left this part blank.




Friday, 31 May 2013

OUGD502// Print Based Packaging


Here are some of the images I created during the workshop...

From this I had to choose a specific design that could be applied to various templates...



I chose the following nets because they provided me with a range of different deliverables. 




(Creating a set of consistently Branded packages - Print based packaging for coffee chain - COSTA.)

 Alternative packaging - Labels/ Sleeves

Scanning the packaging in & drawing directly from the source was a much more efficient way of developing my net designs, as oppose to measuring them and de-scaling them accordingly, which would've effected other aspects of the design process, due to the time constraints. 

The emphasis of this exercise was on the placement/ composition and execution of  our print based packaging. Selecting ONE brand identity, and applying it across a broad range of deliverables/ packages.

I wanted to ideally, emphasise the brand, along with its personality, after reviewing their gift card & gift-card packaging, I noticed a pattern that was emerging among their products, a pattern very similar to the one I've generated below. Used to decorate their leaflets and disposable coffee cups.

I struck gold when I discovered a downloadable & editable version of the world famous logo.
----------------------------------------------------------------------------------------------------
Key attribute of Branding/ Most recognisable emblem/ Most attractive aesthetic

Branding set// Proposals

The following forms of packaging are very diverse, used to package completely different types of products. Despite this, I'm proposing to use the packages as containers for both coffee beans and Gift cards. While developing my designs, I didn't want to stem too far away from Costa's original Brand identity because it would jeopardise the personality of the brand. Therefore I've kept a very similar colour scheme to the original. I've slightly darkened the tone of red to give it a more refined, luxurious appearance, as oppose to a set of very commercial packages...without all the information. As a set I think the consistency of the colours will definitely contribute to the 'aura' of the print based packages.

  • Imperial Vodka/ glass bottle
  • Lacoste/ Aftershave
  • Costa/ gift-card sleeve
  • Wilkinson/ Razors
  • Gold leaf/ Cigarette box





Final Designs...







With a bit more preparation I could've applied a spot varnish to the just the emblem which would've certainly made the products look a lot more luxurious.

Crit feedback x4

Strengths// (Combined)

Range of nets used, the boxes all seem reasonably sturdy, Logo is clear on all packages, Using a label on the bottle is a nice change, the only package on the table that isn't constructed from card/paper. 

Overall I like the simplicity of these products - choice of stock seems perfect. Very good variation of nets used, Good logo placement across all 5 nets.

The stripy design fits so well, The layout on the whole - on red box is really engaging, Overall well constructed nets, particularly the cigarette packet. Strong, sturdy stock, Extracted coffee bean symbol works well to accompany the design.

Good range of nets, sturdy and robust choice of stock, good variety of size and placement of logo. White logo on maroon background looks great, glass bottle is a nice variation.

Areas for Improvement// (Combined)

Thickness of stock increases durability, yet the finish suffers due to the crease marks/ folding causes, Box nets could be cut more accurately, cigarette box could be glued more securely.

The lines on the gift card sleeve can be quite hard on the eyes, Colours on back of the bottle do appear to be different.

Card to thick for this, that's causing splintering on the edges, grubby yellow marks on the cigarette box, not amazing print quality.

Considerations// (Combined)

Wavy lines may not be necessary, Put the label on the wine bottle around a coffee cup, this would be more relevant to the brand. **If your crafting hanging packaging, include the hanging hole - otherwise you're leaving out details, parts of the net, use and context!

Personal Note: If your creating something that has a lot of uses/ functions - think about the placement of the information/ Instruction.

Tuesday, 1 January 2013

Life's a Pitch, Oral Presentation

Business proposal for a creative design studio, presented to your peers and tutors in an formatively assessed, oral presentation.


About Me

My photo
Leeds College of Art. Graphic Design.
 

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